翻訳と辞書
Words near each other
・ Portrait of a Young Man (Botticelli, London)
・ Portrait of a Young Man (Botticelli, Pitti Palace)
・ Portrait of a Young Man (Botticelli, Washington)
・ Portrait of a Young Man (Iravani)
・ Portrait of a Young Man (Lotto, Uffizi)
・ Portrait of a Young Man (Masaccio)
・ Portrait of a Young Man (Raphael)
・ Portrait of a Young Man Drowning
・ Portrait of a Young Man with a Book
・ Portrait of a Young Man with a Golden Chain
・ Portrait of a Young Man with a Lamp
・ Portrait of a Young Woman
・ Portrait of a Young Woman (Botticelli, Frankfurt)
・ Portrait of a Young Woman (La Muta)
・ Portrait of a Young Woman (Rubens)
Portrait of a Young Woman (van der Weyden)
・ Portrait of a Young Woman (Vermeer)
・ Portrait of a Zombie
・ Portrait of Abraham de Potter
・ Portrait of Adele Bloch-Bauer I
・ Portrait of Adele Bloch-Bauer II
・ Portrait of Adèle Besson
・ Portrait of Agnolo Doni
・ Portrait of Alfonso I d'Este
・ Portrait of Alison
・ Portrait of Alison (TV series)
・ Portrait of Alof de Wignacourt and his Page
・ Portrait of Alvise Cornaro
・ Portrait of an Actor
・ Portrait of an African


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Portrait of a Young Woman (van der Weyden) : ウィキペディア英語版
Portrait of a Young Woman (van der Weyden)

''Portrait of a Young Woman'' is a drawing by the Flemish artist Rogier van der Weyden. It depicts a young woman wearing a headscarf pinned to her hair and has been variously dated as ''c.'' 1430s and ''c.'' 1440 - 1445.〔 The identity of the woman has not been established, nor her social class. The drawing is presumably a study for a painted portrait now lost, but likely to have been similar to the '' Portrait of a Woman'' in Berlin.〔Campbell (2004) p. 56〕
==Description==

The drawing is worked in silverpoint on ivory-coloured prepared paper. On the reverse is a 17th-century (or possibly earlier) inscription ''"Ruggero di Bruselle/1460"'' (i.e. ''"Roger of Brussels 1460"''), which suggests it was already connected with van der Weyden from an early date. The workmanship is of top quality, the modelling subtly worked to suggest a three-dimensional sculptural effect.〔Campbell & Van der Stock, p. 335-6〕
The sitter is presented in three-quarter view and appears lively and direct. Her clothing gives no real clue about her status. Campbell and van der Stock remark that on the one hand the relatively flat cap suggests a middle-class background, while on the other hand the fur-lined collar suggests the upper-class.〔Campbell & Van der Stock, p. 335-6〕

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